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  • CBSE Classes 1, 2, 3
    1. Class 1 English
    2. Class 2 English
    3. Class 3 English

  • CBSE Class 4 "Wake Up"
    1. Wake Up; Neha's Alarm Clock
    2. Noses
    3. Run
    4. Why?
    5. Don't be Afraid of the Dark
    6. The Donkey
    7. Hiawatha
    8. A Watering Rhyme
    9. Books
    10. The Naughty Boy

  • CBSE Class 5 "Ice-cream Man"
    1. Ice Cream Man
    2. Wonderful Waste
    3. Bamboo Curry
    4. Team Work
    5. For Want of Nail
    6. My Shadow
    7. Robinson Crusoe
    8. Crying
    9. Food for Thought
    10. My Elder Brother
    11. The Lazy Frog
    12. Rip Van Winkle
    13. Class Discussion
    14. The Talkative Barber
    15. Topsy Turvy
    16. Gulliver's Travel
    17. Nobody's Friend
    18. The Little Boy
    19. Sing a Song of People
    20. The Village Child
    21. The City Child
    22. Around The World
    23. Malu Bhallu
    24. Who will be Ningthou

  • CBSE Class 6 "A Pact with the Sun"
    1. A Tale of Two Birds
    2. The Friendly Mongoose
    3. The Sheherd's Treasure
    4. The Old-Clock Shop
    5. Tansen
    6. The Monkey and the Crocodile
    7. The Wonder called Sleep
    8. A Pact with the Sun
    9. What Happened to the Reptiles
    10. A Strange Wrestling Match

  • CBSE Class 6a "Honey Suckle"
    1. Who did Patrick's Home Work
    2. How the Dog Found himself a Master
    3. The Quarrel
    4. Kalpana Chawla
    5. A Different Kind of School
    6. Who Am I
    7. Fair Play
    8. TA Game of Chance
    9. Vocation
    10. Desert Animals
    11. What If
    12. The Banyan Tree

  • CBSE Class 7, "Honey Dew"
    1. Three Questions
    2. The Squirrels
    3. A Gift of Chappals
    4. The Rebels
    5. The Shed
    6. The Ashes That Made Trees Bloom
    7. Chivvy
    8. Quality
    9. Trees
    10. Expert Detective
    11. Mystery of the Talking Fan
    12. The Invention of Vita-Wonk
    13. Fire: Friend and Foe
    14. A Bicycle in Good Repair
    15. The Story of Cricket

  • CBSE Class 8, "Honey Dew"
    1. The Best Christmas Present
    2. The Tsunami
    3. Macavity: The Mystery Cat
    4. Bipin Choudhury's Lapse of Memory
    5. The Summit Within
    6. This is Jody's Fawn
    7. A Visit to Cambridge
    8. A Short Monsoon Diary
    9. The Great Stone Face 1
    10. The Great Stone Face 2

  • CBSE Class 8a, "It So Happened"
    1. How the Camel got the Hump
    2. Children at Work
    3. The Selfish Giant
    4. The Treasure Within
    5. Pricess September
    6. The Fight
    7. The Open Window
    8. Jalebis
    9. The Comet Part 1.1
    10. The Comet Part 1.2
    11. The Comet Part 2.1
    12. The Comet Part 2.2

  • CBSE Class 9, "Beehive"
    1. The Fun They Had
    2. Sound of Music
    3. The little Girl
    4. Beautiful Mind
    5. The Snake
    6. My Childhood
    7. Packing
    8. Reach for the Top
    9. Bond of Love
    10. Katmandu
    11. If I Were You

  • CBSE Class 9, "Supplementary Reader"
    1. The Lost Child
    2. The Adventure of Toto
    3. Iswaran
    4. In The Kingdom of Fools
    5. The Happy Prince
    6. Weathering The Storm
    7. The Last Leaf
    8. A House is not a Home
    9. The Accidental Tourist
    10. The Beggar

  • CBSE Class 10, "First Flight"
    1. A Letter to God
    2. Nelson Mandela
    3. Two Stories
    4. Anne Frank
    5. Hundred Dresses 1
    6. Hundred Dresses 2
    7. Glimpses of India
    8. Mijbil the Other
    9. Madam Rides the Bus
    10. The Sermon
    11. The Proposal

  • CBSE Class 10, "Footprints"
    1. A triumph of Surgery
    2. The Thief's Story
    3. The Midnight Visiors
    4. A Question of Trust
    5. Footprints without Feet
    6. The Making of a Scientist
    7. The Necklace
    8. The Hack Driver
    9. Bholi
    10. The Book that Saved the earth

  • CBSE Class 11, "Snapshots"
    1. The Summer of the Beautiful White Horse
    2. The Address
    3. Ranga's Marriage
    4. Albert Einstein
    5. Mother's Day
    6. Ghat of the Only World
    7. Birth
    8. The Tale of Melon City

  • CBSE Class 11, "Hornbill"
    1. The Portrait of a Lady
    2. Afraid to Die
    3. Discovering Tut
    4. Landscape of the Soul
    5. The Ailing Planet
    6. The Browning Version
    7. The Adventure
    8. Silk Road

  • CBSE Class 12, "Flamingo"
    1. Lost Spring
    2. Deep water
    3. Rat Trap
    4. Indigo
    5. Poet & Pancakes
    6. The Interview
    7. Going Places
    8. My Mother at Sixty-six
    9. An Elementary School
    10. Keeping Quiet
    11. Thingofbeauty
    12. Road Side Stand
    13. Aunt Jennifer's Tigers

  • CBSE Class 12, "Kaleidoscope"
    1. Sell My Dreams
    2. Eveylin
    3. A Wedding in Brownsville
    4. Tommorrow
    5. One Centimeter
    6. Poems by Milton
    7. Poems by Blake

  • CBSE Class 12, "Vistas"
    1. The Third Level
    2. The Tiger King
    3. Journey to the end of the Earth
    4. The Enemy
    5. Wizard hit Mommy
    6. ontheface
    7. Evans
    8. Memories of Childhood



  • English Class 11

    Hornbill

    Landscape of the Soul.

    By Nathalie Trouveroy

    A WONDERFUL old tale is told about the painter Wu Daozi, who lived in the eighth century. His last painting was a landscape commissioned by the Tang Emperor Xuanzong, to decorate a palace wall. The master had hidden his work behind a screen, so only the Emperor would see it. For a long while, the Emperor admired the wonderful scene, discovering forests, high mountains, waterfalls, clouds floating in an immense sky, men on hilly paths, birds in flight. “Look, Sire”, said the painter, “in this cave, at the foot of the mountain, dwells a spirit.” The painter clapped his hands, and the entrance to the cave opened. “The inside is splendid, beyond anything words can convey. Please let me show Your Majesty the way.” The painter entered the cave; but the entrance closed behind him, and before the astonished Emperor could move or utter a word, the painting had vanished from the wall. Not a trace of Wu Daozi’s brush was left — and the artist was never seen again in this world.

    Such stories played an important part in China’s classical education. The books of Confucius and Zhuangzi are full of them; they helped the master to guide his disciple in the right direction. Beyond the anecdote, they are deeply revealing of the spirit in

    which art was considered. Contrast this story — or another famous one about a painter who wouldn’t draw the eye of a dragon he had painted, for fear it would fly out of the painting — with an old story from my native Flanders that I find most representative of Western painting.

    In fifteenth century Antwerp, a master blacksmith called Quinten Metsys fell in love with a painter’s daughter. The father would not accept a son-in-law in such a profession. So Quinten sneaked into the painter’s studio and painted a fly on his latest panel, with such delicate realism that the master tried to swat it away before he realised what had happened. Quinten was immediately admitted as an apprentice into his studio. He married his beloved and went on to become one of the most famous painters of his age. These two stories illustrate what each form of art is trying to achieve: a perfect, illusionistic likeness in Europe, the essence of inner life and spirit in Asia.

    In the Chinese story, the Emperor commissions a painting and appreciates its outer appearance. But the artist reveals to him the true meaning of his work. The Emperor may rule over the territory he has conquered, but only the artist knows the way within. -- Let me show the Way --, the ‘Dao’, a word that means both the path or the method, and the mysterious works of the Universe. The painting is gone, but the artist has reached his goal beyond any material appearance.

    A classical Chinese landscape is not meant to reproduce an actual view, as would a Western figurative painting .

    Whereas the European painter wants you to borrow his eyes and look at a particular landscape exactly as he saw it, from a specific angle, the Chinese painter does not choose a single viewpoint. His landscape is not a ‘real’ one, and you can enter it from any point, then travel in it; the artist creates a path for your eyes to travel up and down, then back again, in a leisurely movement. This is even more true in the case of the horizontal scroll, in which the action of slowly opening one section of the painting, then rolling it up to move on to the other, adds a dimension of time which is unknown in any other form of painting. It also requires the active participation of the viewer, who decides at what pace he will travel through the painting — a participation which is physical as well as mental. The Chinese painter does not want you to borrow his eyes; he wants you to enter his mind. The landscape is an inner one, a spiritual and conceptual space.
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